蓮池潭外傳普拉斯+:

多感官新媒體互動展

A Reform of Lotus Pond :

Multi-sensational Interaction Exhibition

Client國立台灣美術館

Director |Maxray Lin

Project Manager|Joann Chen

Art Design|Keke Ke/ Kabi Vong/ Ciao Chang/ Steven Yang

Programmer|Paul Zhang

多感官新媒體互動展將國立臺灣美術館的典藏作品─李明則〈左營蓮池潭〉,導入AR擴增實境(Augmented Reality,簡稱AR)與MR混合實境(Mixed Reality,簡稱MR)轉譯原畫作的意涵。在典藏品展示模式中導入不同的應用技術,並將成果以〈蓮池潭外傳普拉斯+:多感官新媒體互動展〉呈現。本次展覽作品聚焦於畫作中的角色與場景,運用不同媒介帶來近距離互動,使觀者了解畫作之文本與作者的創作起源。

 

展覽運用創新的方式呈現畫作,讓觀者如親身進入畫作中的場景般,與畫中角色互動,例如親自斬妖除魔、消滅神秘黑衣人等。藉由新科技,進入藝術家個人的奇想橋段,增添畫作的興緻與趣味性外,也吸引大眾主動接觸藝術品,並加深對藝術品的認識。

To translate the meaning of the the collected work of Nation Taiwan Museum Of Fine Art, Li Ming-Tse’s “Lotus Pond in Zuoying” (2004) by Introducing the technology of Augmented Reality (AR) and Mixed Reality (MR) to the painting. Through the different technology applied to the exhibition mode of the collection, the result of “A Reform + of Lotus Pond in Zuoying:Multi-sensational Mew Media Interaction Exhibition”is presented.This exhibition focuses on the characters and scenes in the painting.The close-distance interactive experience provides the different media for the viewers to understand the painting text and the painter’s creative origin.

 

Presenting the painting in innovative ways, viewer could enter the scenes of the painting personally and interacted with the characters in the painting. For example, he will kill the devils and monsters and eliminate the mysterious man in black in person , so that viewer could enter the artist’s personal fantasy.New technology not only add more charm and fun to the painting, but also attract the public to actively learn more about art, and deepen their understanding of it.

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Neihu Dist., Taipei City 114, Taiwan

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